Articles |
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| · Displaced secularization. The vanguard in the anti-modernity process Davis González, Ana
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| · Between Order and Disruption: the Writing of Clarice Lispector in “A menor mulher do mundo” Choi, Eunha; Pistacchio Hernández, Romina
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| · Symbolic reading of certain adaptations of the myth: from Orfeu da Conceiçao a Orfeu Negro Morales Campos, Arturo; Pardo Fernández, Rodrigo
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| · Global Capitalism and Petrofiction in Fernanda Melchor’s Hurricane Season Francesco Di, Bernardo
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| · First steps towards Japan: intertextual links between Salón de belleza and The House of the Sleeping Beauties Saldaña Moncada, David Issai
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| · “Que nadie duerma” by Juan José Millás: The construction of a female character Fragero Guerra, Carmen
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| · Poetic Humors: Approaches to humor in recent Spanish poetry Leuci, Verónica
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| · Mohamed Chukri and Tennessee Williams Never Said Goodbye Mesmoudi, Mehdi
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| · Cultivating the Exception: Discursive Monstrosity in Nietzsche Zengotita, Alonso
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| · Being, Becoming, Subsumption: The Kantian Roots of a Marxist Problematic Saenz de Sicilia, Andrés
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Dossier |
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| · Presentación Hernández Martínez, Cuauhtémoc Nattahí; García Ibarra, María Yolanda
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| · A divertimento for Crabs, Butterflies, Moths, Foxes and Chickens. Clandestine Life and Autobiography in Guy Debord According to Giorgio Agamben Fleisner, Paula
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| · The Museification of the Work of Art and the City. An Essay on the Figure of the Museum in the Thought of Giorgio Agamben and Guy Debord Hernández Martínez, Cuauhtémoc Nattahí
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| · The Life that Usselesly Consumed in the Flame. Image, Gesture and Politics: Giorgio Agamben and Guy Debord Karmy Bolton, Rodrigo
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| · Capture or Production? The Nancy’s Critics to Agamben and Debord Moreno Ferrer, Gerard; Jiménez Hernández, José de Jesús
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Reviews |
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| · “Creación y anarquía” de Giorgio Agamben Godínez Aldrete, Abraham
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| · "Giorgio Agamben. Política sin obra", de Juan Evaristo Valls Boix Porta Caballé, Adrià
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| · Between Camp and Cursi: Humor and Homosexuality in Contemporary Mexican Narrative Marín, Pedro Pablo
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