Presentation |
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| · Presentación
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Articles |
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| · Grotesque Migration Routes to 16th-century Art in New Spain: The Case of Luis Lagarto Ulloa Molina, Edgar Mauricio
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| · The Quito Nativity, a Polysemic Iconography: Christianization, Image and Construction of the Social Body in the Context of the Realm of New Granada. Seventeenth and Eigteenth Century Cruz Medina, Juan Pablo
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| · Atonement of Christ at the Whipping-Post: Scents, Chants and Novo-Hispanic Paintings Sacristán Ramírez, Carolina
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| · The Conservative View of the Conquest and the Independence of Mexico in the Series of Lithographs “Historia Mexicana” by Michaud and Thomas, 1848-1849 Aguilar Ochoa, Arturo
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| · Circumscriptio, compositio, lineamenta, forma, spatium and locus in Leon Battista Alberti’s De pictura: Painting, Architecture and City Solís Rebolledo, Patricia; Cortés Rocha, Xavier
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| · Between a Rockefeller and a Hard Place: Diego Rivera’s Man at the Crossroads and the Left in the 1930s Zumoff, Jacob A.
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| · Julio Galán’s Camp-Cursi-Kitsch and Lo Popular: Gender-Expansion and Cultural Inclusion Eckmann, Teresa
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| · A Critical Review of the Taller de Arte e Ideología Rodríguez Pliego, Circe; Gutiérrez Galindo, Blanca
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| · Dictatorship and Art: The Indigenous as Artistic Modernity and Essence of the Chilean in the Government of Carlos Ibáñez del Campo (1927-1931) Herrera Styles, Patricia; Zamorano Pérez, Pedro Emilio; Vera Manríquez, Rodrigo
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| · Beyond the Limits: Latin America and the History of Photography Suescún Monroy, Pilar
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| · Exhibiting the Tropical: Images at the VIII International Student Biennial of Costa Rica Picado-García, José Daniel; Solano-Meza, Natalia
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Works, documents |
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| · The Architectural and Material Conversion of the Old Parish Church of Nuestra Señora de la Asunción into Aguascalientes Cathedral Rodríguez López, María Guadalupe; Gómez Serrano, Jesús
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