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vol.22 issue44Jacobo Dalevuelta and Carlos González’s Chinacos. The Song of Victory, a nationalist cultural artifact, 1927Foundling children of Our Lady of the Immaculate Conception of the town of San Francisco de Campeche, 1638-1700 author indexsubject indexsearch form
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Signos históricos

Print version ISSN 1665-4420

Abstract

HERNANDEZ DAVILA, Carlos Arturo. Courageous soldier and enchanted troubadour: multiple looks at the chinaquería in Mexican cinema in the twentieth century. Sig. his [online]. 2020, vol.22, n.44, pp.146-179.  Epub Aug 01, 2022. ISSN 1665-4420.

The purpose of this document is to describe the image of the Chinacos created, disseminated and put into circulation by Mexican cinema between 1937 and 1945. Starting from the dual distinction, we identified the cinematographic character of the “historic” chinaco as “cold”, carrier of patriotic values, while the “passionate” chinaco is identified as a “hot” character, embodiment of passion, love and loyalty. Both Chinese are placed before the eyes of the spectator in a time that claims nationalism in the years immediately before the beginning of the Second World War.

Keywords : chinaco; myth; patriotism; french intervention; popular hero.

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