Servicios Personalizados
Revista
Articulo
Indicadores
Citado por SciELO
Accesos
Links relacionados
Similares en SciELO
Compartir
Anales del Instituto de Investigaciones Estéticas
versión impresa ISSN 0185-1276
Resumen
FUKELMAN, María. Contributions to the Study of the Free Theater of Buenos Aires (1944-1947). An. Inst. Investig. Estét [online]. 2020, vol.42, n.117, pp.145-177. Epub 01-Jun-2021. ISSN 0185-1276. https://doi.org/10.22201/iie.18703062e.2020.117.2730.
Independent theater emerged in Buenos Aires at the beginning of the 1930s as a way to produce and conceive a theater that wanted to renew the national stage by three means: breaking away from conventional theater, placing artistic objectives before economic ones, and by aspiring for a non-profit theater of high aesthetic quality. It was conceived as a collective and defiant practice in opposition to the status quo of the periods theater, and as anti-capitalist, yet as a heterogeneous organization, while revealing itself as complex and rich in diversity. The article addresses a particular case: The Free Theater of Buenos Aires, created in 1944 by Roberto Pérez Castro.
Palabras llave : independent theater; Teatro Libre; Roberto Pérez Castro; Buenos Aires; heterogeneity; archive; Juan Domingo Perón.