SciELO - Scientific Electronic Library Online

 
vol.22 número44Los chinacos de Jacobo Dalevuelta y Carlos González. El canto de la victoria, artefacto cultural nacionalista, 1927Niños expósitos de Nuestra Señora de la Purísima Concepción de la villa de San Francisco de Campeche, 1638-1700 índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • No hay artículos similaresSimilares en SciELO

Compartir


Signos históricos

versión impresa ISSN 1665-4420

Resumen

HERNANDEZ DAVILA, Carlos Arturo. Courageous soldier and enchanted troubadour: multiple looks at the chinaquería in Mexican cinema in the twentieth century. Sig. his [online]. 2020, vol.22, n.44, pp.146-179.  Epub 01-Ago-2022. ISSN 1665-4420.

The purpose of this document is to describe the image of the Chinacos created, disseminated and put into circulation by Mexican cinema between 1937 and 1945. Starting from the dual distinction, we identified the cinematographic character of the “historic” chinaco as “cold”, carrier of patriotic values, while the “passionate” chinaco is identified as a “hot” character, embodiment of passion, love and loyalty. Both Chinese are placed before the eyes of the spectator in a time that claims nationalism in the years immediately before the beginning of the Second World War.

Palabras llave : chinaco; myth; patriotism; french intervention; popular hero.

        · resumen en Español     · texto en Español     · Español ( pdf )