Resumen

YEREGUI, Mariela. Subaltern techno-Poetics (or some notes to retrace territories). LiminaR [online]. 2020, vol.18, n.2, pp.76-90.  Epub 10-Dic-2020. ISSN 2007-8900.  https://doi.org/10.29043/liminar.v18i2.759.

Latin American technological art generates debates and discussions around categories such as “mestizo” or “hybrid” that arise from the overlap between the importance of technology and “situated practices.” The discourses of techno-culture, and the framework in which these productions take place, lead to reconsideration from local artists, for whom the techno-scientific centrality is a motive of friction and requires critical dismantling. In this article, I examine some techno-artistic projects in Latin America that provide a decolonial view of the ongoing dialogue between art and technology.

Palabras llave : contemporary art; technology; techno-aesthetics; hybridity; decoloniality; territory.

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