Resumo

OLIVARES ZORRILLA, Rocío. The model of the Harmonic Spiral of Sor Juana: between Pythagorism and Modernity. Lit. mex [online]. 2015, vol.26, n.1, pp.11-39. ISSN 2448-8216.  https://doi.org/10.19130/iifl.litmex.26.1.2015.777.

The living universe of Renaissance, with its legacy from the Antiquity and the Middle Ages, had an Early Mexican expression in the late Renaissance or Baroque period: sor Juana Inés de la Cruz. In this paper I will essay an account of Marsilio Ficino's teachings on sor Juana's concept of a sympathetic and pneumatic universe, and of the hidden meanings and echoes in her writings from other accomplished creators from the 15th to the 17th centuries who were not only poets, philosophers or theologians, but also musicians and composers. Although we have already been able to read excellent essays on the musical features in sor Juana's work, there are still uninvestigated areas concerning the philosophical and spiritual relationship that she established with the musical art. Besides commenting overlooked passages by Pietro Cerone which are relevant regarding sor Juana, I will also explore the parallels between her and Franchino Gaffurio and Bartolomé Ramos Pareja.

Palavras-chave : Sor Juana Inés de la Cruz; music; harmony; pythagorism; universe; pneuma; Iamblichus; Ficino; Ramos Pareja; Gaffurio; Francisco Salinas; Cerone; temperaments.

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