Resumo

CAMPO, Javier. Filmando teorías políticas: dependencia y liberación en La hora de los hornos. Polít. cult. [online]. 2014, n.41, pp.65-88. ISSN 0188-7742.

Numerous studies have been devoted to analyzing the film The Hour of the Furnaces (Fernando Solanas and Octavio Getino, 1968) as a work of importance in the representation of the social and political conflicts for the development of Latin American cinema. But there have been no indepth analysis taking into account the concepts of Political Theories and political essays that influenced the directors. I propose a reading of the film narrative from the contributions of Dependency Theory (Theotonio Dos Santos, Fernando Henrique Cardoso and Enzo Faletto, among others) and the decolonization movement of Negritude (Frantz Fanon).

Palavras-chave : cinema; dependency; revolution; political theory; Latin America.