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 número53Trayectorias danzadas. Circulación de la danza afrocubana y las formas de su relocalización en la Ciudad de MéxicoDe “negro brujo” a patrimonio cultural: circulación transnacional de la “tradición orisha” índice de autoresíndice de assuntospesquisa de artigos
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Desacatos

versão On-line ISSN 2448-5144versão impressa ISSN 1607-050X

Resumo

PULIDO LLANO, Gabriela. Afro Cuban Musical Keys in Mexico. Between Musicians and Musicologists, 1920-1950. Desacatos [online]. 2017, n.53, pp.56-73. ISSN 2448-5144.

In this article i analyze, with cultural history tools, the ideas of Cuban and Mexican musicologists who examine the keys about African legacy on musical practices and adaptations, of danzón and mambo. in these writings we appreciate how each of these genres adjusted to the supply and demand local circumstances of the Mexican urban spectacle sphere. We look on the musical thought history to understand a more complex social phenomena, related to the central concepts of this essay: African legacy, transnational circulation, and cultural adaptation. Life histories of Cuban musicians, Consejo Valiente Roberts “acerina” and Dámaso Pérez Prado, give us important elements to associate the cultural circulation phenomena to migration.

Palavras-chave : danzón; mambo; musical adaptations; social influence; projection; circulation.

        · resumo em Espanhol     · texto em Espanhol     · Espanhol ( pdf )