Resumo

MURGUIA MECA, Mercedes  e  MADRID ALANIS, Yolanda. Saint Elías, Links in a Sculptural Chain of Two Artists. Intervención (Méx. DF) [online]. 2023, vol.14, n.28, pp.191-214.  Epub 11-Jun-2024. ISSN 2007-249X.  https://doi.org/10.30763/intervencion.289.v2n28.68.2023.

In this SHOWCASE, considerations are made regarding the production of the novohispanic imagery, implying the combination of the carving and the polychrome, which uses as an axis the sculpture of San Elías, from the temple of Nuestra Señora de la Asunción (Our Lady of the Assumption), Tlapanaloya, State of Mexico. First of a group of five images restored in the Seminario-Taller de Restauración de Escultura Policromada (STREP, Seminar-Workshop of Polychrome Sculpture Restoration) from the Escuela Nacional de Conservación, Restauración y Museología (ENCRyM) of the Instituto Nacional de Antropología e Historia (INAH), which led to the identification of a carver and a painter from Spain: Pedro de Requena y Franciso de Gamboa o De Ibía, better known as De Zumaya. The collection was adressed, in the terms proposed by Paul Philippot, as a unit.

Palavras-chave : sculpture; craver; painter; artists; unity.