Resumo

BAEZ MACIAS, Eduardo. Pintura militar: entre lo episódico y la acción de masas. An. Inst. Investig. Estét [online]. 2001, vol.23, n.78, pp.129-147. ISSN 0185-1276.

The 1862 French Intervention was viewed in differing ways by Mexican artists; this article compares the contrasting versions of Francisco P. Mendoza and Constantino Escalante. The former was a painter trained at the School of Fine Arts, while the latter was a draughtsman skilled in lithography and caricature. Mendoza was officially commissioned to paint a series of battles that brought fame and glory to Porfirio Díaz. Escalante preferred to illustrate the conflict from a freer and more spontaneous perspective motivated by liberal ideals. Consequently, just as the painter provides an academic and anecdotal vision, so the lithographer, whose drawing was undoubtedly superior, offers a more dynamic, expressive perspective in which soldiers' bodies are the true protagonists.

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